As soon as Frieze makes its annual appearance in Regents Park everyone knows that it is time to check out the London art scene. The annual schedules of the galleries – both commercial and public – are all heavily weighted towards the Autumn and the most important names carefully lined up for exhibition. This is the time when anyone can get an all-round view of global trends without leaving central London.
With the twin clouds of Brexit and falling market confidence hanging over the art world, it was good to arrive at Frieze to receive a David Shrigley newsflash accompanying the Art Newspaper – NEWS: PEOPLE GATHER IN LARGE TENT. It helped to lighten the mood – for more of Shrigley you could visit Stephen Friedman where he took over the whole stand and showed some witty neon works alongside his more usual sketches and bonkers animations.
Also lightening the mood were US artist Julia Scher’s pink-clad pensioner security guards who were regularly seen patrolling the fair.
As seemingly has been the trend for several years now the big institutional-type works were largely absent from a show that was dominated by smaller and mid-ticket works. An ugly and rather pointless exception was Tatiana Trouvé’s The Shaman which nevertheless apparently sold on the first day. Many other big name – big ticket items were perhaps held back for gallery events or even Frieze Masters.
Swiss artist Urs Fischer dominated the show entrance at Gagosian with a suite of iPad paintings printed on to reflective aluminium panels. All show his New York home with the image disintegrating across each set as if digitally erasing itself.
Lisson Gallery had works from Marina Abramovic and John Akomfrah , whilst at David Zwirner were Wolfgang Tillmans and Chris Ofili. Tacita Dean was at Marian Goodman Gallery’s stand.
This years #metoo angled theme was Social Work, exploring how women artists looked at political activism within their work. With artists including Faith Ringgold, Sonia Boyce, Helen Chadwick, Nancy Spero and Berni Searle it was however somewhat underwhelming and could easily be passed largely unnoticed.
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As usual though there was plenty to enjoy and here are a few of the other works that caught our eye:
Last but not least, as you leave the fair in Regent’s Park, perhaps to venture up to Frieze Masters, some twenty five different sculptures were dotted throughout the greenery and included Kimsooja (above), Rana Begum , Tracey Emin, Conrad Shawcross and Elmgreen & Dragset. They will remain until the end of Frieze week.
CELLOPHANELAND* were guests of Frieze London
For more information visit www.frieze.com