Following on from the excellent Yoshishige Saito exhibition (reviewed on CELLOPHANELAND* last month) Annely Juda are showing everyone’s favourite Yorkshire artist, David Hockney. Showing in the upstairs gallery are a series of sixteen bold and striking iPad drawings entitled The Arrival of Spring that were last seen in the impressive Hockney show at the Royal Academy – A Bigger Picture .
When exhibited at the RA This series was shown in a darkened room on iPads mounted to the wall. Here they are an altogether different proposition blown up to nearly 5×4 ft (a selection of four are even larger) and filling the gallery. The increase in scale does not always work. There are some strange looking blobs and areas that seem unfinished but on the whole Hockneys’s eye for colour and form wins over and its hard not to admire his virtuosity on the small screen of the iPad.
The unerring digital brush strokes and the even coloration also work well in lending the landscapes a slightly unreal air. This slightly artificial look would be strange were the landscapes realistic but it works well with the strangely exotic colour schemes that Hockney’s keen eye draws from the subtle tones of the Yorkshire Wolds.
Amongst the iPad drawings the film Woldgate Woods, November 26th 2010 is also being shown: nine video monitors chart a slow progress through a snowy wooded landscape in East Yorkshire. Strangely hypnotic.
The second gallery space has been reserved for a series of new charcoal drawings which Hockney made in the Spring of 2013 following the RA show. Looking for a change from colour he stated “The Chinese say black and white contains colour, and so it can. They are five separate views of Woldgate, and with each one I had to wait for the changes to happen. Some were too close to the previous ones and I realised I was being impatient. I had to wait for a bigger change. I thought it was an exciting thing to do. It made me look much harder at what I was drawing.” (Guardian)
The absence of colour makes one look more closely at these pieces just as he looked harder drawing them. The effort is rewarded with an appreciation of his light touch and observant eye in these carefully observed sketches of leafy lanes and snowy woods.
David Hockney – The Arrival of Spring at Annely Juda is on until 12 July 2014.
The printed works are available in edition of 25. A further four prints have been printed in large format and mounted on dibond in an edition of 10.
For further information please visit: www.annelyjudafineart.co.uk
All images by CELLOPHANELAND*.