Alex Katz: Quick Light – Serpentine Gallery, London

It’s the instantaneous light. If you get it right then you get it in the total present tense – that’s what you’re going for, that’s eternity.” Alex Katz

The new Alex Katz exhibition at the Serpentine Galleries is a combination of two distinct series of work representing two aspects of his work – portraits and landscapes. Entering the gallery we are met with three walls each with one gigantic orange painting.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review These are recent portraits of women – each given the subjects first name – Vivien, Anna and Ada (his wife, a frequent subject). They may be named and are ‘of somebody’ but that is as far as Katz wants to take us. These might just as well be still lifes, we are not invited to learn any more about these ladies and there is no narrative. We are simply encouraged to be ‘in the moment’ and the artists wants to see no more or no less that what is right before us.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review The subjects are simply dressed, if indeed we see what they are wearing, almost expressionless, and return our gaze. The backgrounds a pure bright orange – they could be Easy Jet adverts and indeed the link with advertising is there, Katz heavily influenced by billboards, his paintings characterised by their flatness of colour and fluidity of line.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review The artist, now 88, came of age as an artist in 1950s New York, and developed his unique approach to contemporary representational painting during the height of Abstract Expressionism. His work is reminiscent of artists like Tom Wesselman and Andy Warhol, but any association to pop art is to be avoided though as gentle and careful brushstrokes energise the canvases and bring life to the faces.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review The exhibitions title, Quick Light, comes from Katz’s desire to bring the image to us as quickly as possible – as in adverts – removing superfluous detail in order that our brains absorb the image with minimal delay. Like the almost totally two dimensional figures, the paint is flat and he is happy to agree with the term ‘aggressive’ in respect of the quick impact that his images have upon us.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review The Serpentine has also taken the clever opportunity to present a number of Katz’s landscape paintings in the leafy surroundings of Hyde Park. The central gallery is occupied by several of these, some almost abstract in appearance exemplify his life-long quest to capture the present tense in paint. The largest fill whole walls of the Serpentine’s sizeable walls.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review

Reflection is a rohrsach-style mirrored reflection water in blue and black, West 1 features illuminated windows on a black background, whilst Black Brook 18, in green and black we guess must be a stream and grass.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review They are enigmatic and again Katz gives no story – these are paintings simply of present ‘moments’.  Regardless of their scale, he describes these paintings as ‘environmental’ in the way in which they envelop the viewer. Defined by temporal qualities of light, times of the day and the changing of the seasons.

Alex Katz, Quick Light, Serpentine Gallery, London, Exhibition Review Everything Katz does looks deceptively easy, and thats how he wants it. Seeing that Henri Matisse’s work seemingly required ’no effort’ he was inspired to paint in a similar way. The inspiration of this Serpentine show is seeing another master at the peak of his powers.

Alex Katz: Quick Light is at the Serpentine Gallery until 11 September 2016

For more information visit www.serpentinegalleries.org

Leave a Reply